What I meant is, relative discontinuity in the modulator, and therefore potentially in the filter output can have musical value in many contexts.You mean that a square LFO, stair steps, sample and hold etc. are not smoothed or the process (e.g. a filter) is not smoothed?
I don't know, but doing e.g. a <= 5 ms cross-fade rarely affects the perception of continuity.
Statistics: Posted by S0lo — Mon Jun 24, 2024 9:19 am